This delves right into the meat of it: scornful deathgrind with fat power chord grooves, high-energy tremolo picking over blasts, riddled with technical riffing often of the experimental variety. In conclusion this album features all of the positive elements of future Dying Fetus albums while still having the good classical elements of their first albums. Looking only at the instrumental performance aspects of this album there are no real standouts but the guitar work is excellent as in all Dying Fetus albums in addition to that in my opinion the drums are rather weak but that is more of a personal preference rather then a one of substance.

A very important aspect of these songs is that they never get boring as time goes on in the song due to the variety in all of the songs. This album holds all of the standard tremolo sections of Dying Fetus with the frenzied riffs that they have become known for. All of these songs have great riffs and a several of these riffs are very unique especially the verse riff on Praise the Lord. This album features better instrumental work then its predecessor's and especially better production.įirst i'll look at some of the best songs on this album and there are really several standouts on this album with Epidemic of Hate, the title track and Born in Sodom being just some of those.

This album has all of the standard idiosyncrasies of Dying Fetus fine tuned to be properly functioning. Destroy the Opposition set the standard for all Dying Fetus albums in the future and was their best album up to the release of Reign Supreme.

Dying fetus fireside bowl